Birds of Paradise Close Up

Specimen Artefact as Object-Based Archive Caitlin DeSilvey has observed that the ‘the disarticulation of a cultural artefact [can] lead to the articulation of other histories and geographies’ in the present (2006: 329) and, similarly, Tim Edensor argues that the physical destruction of objects ‘reveals the artifice through which they are structured to withstand ambiguity’ (Edensor … Continue reading

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